Womenconsistentlylieonsocialne-优题课

In 1935, the clarinetist and bandleader Benny Goodman, aged just twentysix, left New York with his fourteenpiece “swing” band and, traveling in a ragtag group of cars, headed for the huge Palomar Ballroom in Los Angeles. It was not an easy trip. There were half a dozen dismal, sparsely attended onenighters and three weeks at a dance hall in Denver, where the band was forced to play waltzes, tangos, and novelty numbers. On the opening night at the Palomar, the band played ballad numbers in the first set, and there was little response from the dancers. Then one of the musicians said, if they were going to bomb again they might well do it in style. So Goodman called for his hot, often uptempo arrangements, many of them by the ingenious black bandleader and arranger Fletcher Henderson, and the kids stopped dancing, clustered around the bandstand, and began roaring. Before the weeks at the Palomar were over, it was clear that Goodman had suddenly made jazz—still a suspect and largely subliminal American folk music, despite the brilliant inventions during the previous decade of Jelly Roll Morton and others—into a popular music.
Goodmans surprising ways continued. In 1936, he shook up the white entertainment establishment by hiring two black musicians—the elegant pianist Teddy Wilson and the plunging vibraphonist Lione Hampton. (To be sure, Wilson and Hampton did not play in the band; instead, they appeared with Goodman and the drummer Gene Krupa during intermissions.) A year later, when the band went into the Paramount Theater in New York for three weeks, legions of kids appeared, and a screaming, dancing riot nearly took place. It was the first great American show frenzy, and it prepared the way for the Sinatra frenzy of 1947, and for all the Beatles frenzies, and for all the mindless rockborne frenzies of the Seventies and Eighties.
Then, on the night of January 16, 1938, Goodman, challenging the longhairs, took his band into a soldout Carnegie Hall. The big band played a dozen numbers, the trio two numbers, and the quartet five numbers. Despite the immediate rumblings from Olin Downes, the Timess classical music critic (“The playing last night, if noise, speed and beat, all old devices, are heat, was “hot” as it could be, but nothing came of it all, and in the long run it was decidedly monotonous”), Goodmans concert moved jazz even further up the American popular register. ［412 words］
This passage is mainly
A a general review of Jazz music.
B a biography of Benny Goodman.
C about the origin of American folk music.
D about how jazz became popular in America.
Which of the following statements is true according to the passage?
A The bands first music show in Los Angles was an immediate success.
B Goodman is considered the father of Jazz music.
C Benny Goodman was unknown to public when he left New York.
D The band scheduled to play waltzes, tangos and novelty numbers at a dance hall in Denver.
It could be inferred from the passage that
A Jazz is a style of music native to America.
B Classic music had become outdated at Goodmans time.
C Morton and Goodman were contemporaries.
D Goodman was the first bandleader who hired Black musicians in 1930s.
The phrase “shake up” (Line 1,Paragraph 2) in the context probably means
A to give a very unpleasant shock.
B to make changes to an organization.
B to get rid of a problem.
D to point out, designate.
Towards Goodmans music show frenzy, Olin Downes, the classical music critic has
A approving attitude. B satirizing attitude.
C regretting mind. D exaggerated tone.

A few common misconceptions. Beauty is only skin-deep. One' s physical assets and liabilities don' t count all that much in a managerial career. A woman should always try to look her best.
Over the last 30 years, social scientists have conducted more than 1,000 studies of how we react to beautiful and not- so-beautiful people. The virtually unanimous conclusion: Looks do matter, more than most of us realize. The data suggest, for example, the physically attractive individuals are more likely to be treated well by their parents, sought out as friends, and pursued romantically. With the possible exception of women seeking managerial jobs they are also more likely to be hired, paid well, and promoted.
Un-American, you say, unfair and extremely unbelievable? Once again, the scientists have caught us mouthing pieties (虔诚) while acting just the contrary. Their typical experiment works something like this. They give each member of a group--college students, perhaps, or teachers or corporate personnel managers a piece of paper relating an individual' s accomplishments. Attached to the paper is a photograph. While the papers all say exactly the same thing the pictures are different. Some show a strikingly attractive person, some an average-looking character, and some an unusually unattractive human being. Group members are asked to rate the individual on certain attributes, anything from personal warmth to the likelihood that he or she will be promoted.
Almost invariably, the better looking the person in the picture, the higher the person is rated. In the phrase, borrowed from Sappho, that the social scientists use to sum up the common perception, what is beautiful is good.
In business, however, good looks cut both ways for women, and deeper than for men. A Utah State University professor, who is an authority on the subject, explains: In terms of their careers, the impact of physical attractiveness on males is only modest. But its potential impact on females can be tremendous, making it easier, for example, for the more attractive to get jobs where they are in the public eye. on another note, though, there is enough literature now for us to conclude that attractive women who aspire (追求) to managerial positions do not get on as well as who may be less attractive.
In "Beauty is only skin-deep", "skin-deep" can be replaced by______.

A．decorating

B．superficial

C．expressive

D．demanding

"One's physical assets and liabilities don' t count all that much in a managerial career."(paral) can be interpretated as______.

A．whether or not one looks good or bad, it doesn' t affect much one' s managerial career

B．in one' s managerial career, he may deal with cases like assets and liabilities

C．in one' s managerial career, he may rarely deal with cases like assets and liabilities

D．whether or not one looks good or bad, it may affect much one' s managerial career

The result of research carried out by social scientists show that______.

A．people do not realize the importance of looking one' s best

B．women in pursuit of managerial jobs are not likely to be paid well

C．good -looking women aspire to managerial positions

D．attractive people generally have an advantage over those who are not

"Good looks cut both ways for women" (Para.5) means that______.

A．attractive women have tremendous potential impact on public job

B．good-looking women always get the best of everything

C．being attractive is not always an advantage for women

D．attractive women do not do as well as unattractive women in managerial positions

It can be inferred from the passage that in the business world______.

A．handsome men are not affected as much by their looks as attractive women are

B．physically attractive women who are in the public eye usually do quite well

C．physically attractive men and women who are in the public eye usually get along quite well

D．good looks are important for women as they are for men