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Does Fame Drive You Crazy?
Although being famous might sound like a dream come true, today’s star, feeling like zoo animals, face pressures that few of us can imagine. They are at the center of much of the world’s attention. Paparazzi (狗仔队) camp outside their homes, cameras ready. Tabloids (小报) publish thrilling stories about their personal lives. Just
imagine not being able to do anything without being photographed or interrupted for a signature.
According to psychologist Christina Villareal, celebrities — famous people — worry constantly about their public appearance. Eventually, they start to lose track of who they really are, seeing themselves the way their fans imagine them, not as the people they were before everyone knew their names. “Over time,” Villareal says, “they feel separated and alone.”
The phenomenon of tracking celebrities has been around for ages. In the 4th century B.C., painters followed
Alexander the Great into battle, hoping to picture his victories for his admirers. When Charles Dickens visited
America in the 19th century, his sold-out readings attracted thousands of fans, leading him to complain (抱怨)
about his lack of privacy. Tabloids of the 1920s and 1930s ran articles about film-stars in much the same way that modern tabloids and websites do.
Being a public figure today, however, is a lot more difficult than it used to be. Superstars cannot move about without worrying about photographers with modern cameras. When they say something silly or do something
ridiculous, there is always the Internet to spread the news in minutes and keep their “story” alive forever.
If fame is so troublesome, why aren’t all celebrities running away from it? The answer is there are still ways to deal with it. Some stars stay calm by surrounding themselves with trusted friends and family or by escaping to remote places away from big cities. They focus not on how famous they are but on what they love to do or whatever made them famous in the first place.
Sometimes a few celebrities can get a little justice. Still, even stars who enjoy full justice often complain about how hard their lives are. They are tired of being famous already.
It can be learned from the passage that stars today  .

A.are often misunderstood by the public
B.can no longer have their privacy protected
C.spend too much on their public appearance
D.care little about how they have come into fame

What is the main idea of Paragraph 3?

A.Great heroes of the past were generally admired.
B.The problem faced by celebrities has a long history.
C.Well-known actors are usually targets of tabloids.
D.Works of popular writers often have a lot of readers.

What makes it much harder to be a celebrity today?

A.Availability of modern media.
B.Inadequate social recognition.
C.Lack of favorable chances.
D.Huge population of fans.

What is the author’s attitude toward modern celebrity?

A.Sincere. B.Sceptical.
C.Disapproving. D.Sympathetic.
科目 英语   题型 阅读理解   难度 中等
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B
One of my fondest memories as a child is going by the river and sitting idly on the bank. There I would enjoy the peace and quiet, watch the water rush downstream and listen to the chirps of birds and the rustling of leaves in the trees. I would also watch the bamboo(竹子) trees bend under pressure from the wind and watch them return gracefully to their upright or original position after the wind had died down.
When I think about the bamboo tree’s ability to bounce back or return to its original position, the word resilience (恢复力)comes to mind. When used in reference to a person, this word means the ability to readily recover from shock, depression or any other situation that stretches the limits of a person’s emotions.
Have you ever felt like you are about to snap(突然折断)? Have you ever felt like you are at your breaking point? Thankfully, you have survived the experience to live to talk about it.
  During the experience you probably felt a mix of emotions that threatened your health. You felt emotionally drained, mentally exhausted and you most likely endured(忍耐) unpleasant physical symptoms(症状).
  Life is a mixture of good times and bad times, happy moments and unhappy moments. The next time you are experiencing one of those bad times or unhappy moments that take you close to your breaking point, bend, but don’t break. Try your best not to let the situation get the best of you.
  If the going gets tough and you are at your breaking point, show resilience. Like the bamboo tree, bend, but don’t break!
60.When the writer talks about the bamboo trees, he wants to tell us .
A.he can’t forget those bamboo trees
B.he used to watch them bend under pressoure and return to their upright position
C.he still remembers the good days as a child
D.he admires the character of the bamboo trees
61.Which of the following is TRUE?
A.When you have overcome some depression, you show resilience.
B.When you are about to snap, we say you are resilient.
C.If you feel like you are at your breaking point, you are fortunate.
D.If you feel mentally exhausted, you are likely to experience pleasant physical symptoms.
62.What does the writer mean by saying “Try your best not to let the situation get the best of you?”
A.You should make the best of the situation.
B.You should try your best to get the best situation.
C.You should try your best not to be defeated by the situation.
D.You should try your best not to give up the best situation.
63.What would be the best title for the passage?
A.My fondest memories B.Good times and bad times
C.Enjoy the peace and quiet D.Bend, but don’t break

第三部分阅读理解(共20小题;每小题2分,满分40分)
A
Two traveling angels stopped to spend the night in the home of a wealthy family. The family was rude and refused to let the angels stay in the guest room. Instead the angels were given a space in the cold basement. As they made their bed on the hard floor, the older angel saw a hole in the wall and repaired it. When the younger angel asked why, the older angel replied. “Things aren’t always what they seem.”
  The next night the pair came to rest at the house of a very poor, but very hospitable(好客的) farmer and his wife. After sharing the little food they had, the couple let the angels sleep in their bed where they could have a good night’s rest. When the sun came up the next morning, the angels found the farmer and his wife in tears. Their only cow, whose milk had been their only income, lay dead in the field. The younger angel was very angry and asked the older angel, “How could this happen? Why did you watch out for the cow? The first man had everything, yet you watched over his house,” she accused, “The second family had little but was willing to share everything, and you did not help.”
“Things aren’t always what they seem,” the older angel replied.
“When we stayed in the basement, I noticed there was gold stored in that hole in the wall. Since the owner was so greedy and unwilling to share his good fortune, I asked God if I could seal the wall so that he wouldn’t find it. Then last night as we slept in the farmer’s bed, the angel of death came for his wife. I asked God if the angel could take the cow instead. Things aren’t always what they seem.”
56.Why did the older angel repair the hole for the rich family?
A.Because she didn’t like the greedy owner.
B.Because she wanted to save the gold for the poor.
C.Because the basement was too cold to stay in.
D.Because she believed that one should always be ready to offer help.
57.The youngest angel was very angry because .
A.the old angel killed the farmer’s cow
B.the old angel treated the two families differently
C.the wealthy man gave them a bad place to live
D.the angel of death took the cow away
58.Why did the older angel let the farmer’s cow die?
  A.Because God wanted the older angel to take the cow.
B.Because she wanted to teach the youngest angel a lesson.
  C.Because she wanted to save the farmer’s wife.
  D.Because she thinks it is unfair to the rich
59.The story tries to tell the reader that________.
  A.angels are always ready to help the poor
  B.what we see is not necessarily what it is
  C.angles are always to help the rich
D.the young should always learn from the old

E
“A good book for children should simply be a good book in its own right,” says Mollie Hunter. Born and brought up near Edinburgh, Mollie has devoted her talents to writing primarily for young people. She firmly believes that there is always and should always be a wider audience for any good book whatever its main market is. In Mollie's opinion it is necessary to make full use of language and she enjoys telling a story, which is what every writer should be doing. “If you aren't telling a story, you're a very dead writer indeed,” she says. With the chief function of a writer being to entertain, Mollie is indeed an entertainer. “I have this great love of not only the meaning of language but of the music of language,” she says. “This love goes back to early childhood. I've told stories all my life. I had a school teacher who used to ask us what we would like to be when we grew up and, because my family always had dogs, and I was very good at handling them, I said I wanted to work with dogs, and the teacher always said ‘Nonsense, Mollie, dear, you’ll be a writer.’ So finally I thought that this woman must have something, since she was a good teacher and I decided when I was nine that I would be a writer.”
This childhood intention is described in her novel, A Sound of Chariots, which although written in the third person is clearly autobiographical and gives a picture both of Mollie's ambition and her struggle towards its achievement. Thoughts of her childhood inevitably(不可避免地)brought thoughts of the time when her home was still a village with buttercup meadows and strawberry fields—sadly now covered with modern houses.“I was once taken back to see it and I felt that somebody had lain dirty hands all over my childhood. I'll never go back,”she said. “Never.”“When I set one of my books in Scotland,”she said,“I can recall my romantic (浪漫的) feelings as a child playing in those fields, or watching the village blacksmith at work. And that's important, because children now know so much so early that romance can't exist for them, as it did for us.”
57. What does Mollie Hunter feel about the nature of a good book?
A. It should not aim at a narrow audience.
B. It should not be attractive to young readers.
C. It should be based on original ideas.
D. It should not include too much conversation.
58. In Mollie Hunter's opinion, which of the following is one sign of a poor writer?
A. Being poor in life experience. B. Being short of writing skills.
C. The weakness of description. D. The absence of a story.
59. What do we learn about Mollie Hunter as a young child?
A. She didn't expect to become a writer. B. She didn't enjoy writing stories.
C. She didn't have any particular ambitions. D. She didn't respect her teacher's views.
60. What's the writer's purpose in this text?
A. To describe Mollie Hunter's most successful books.
B. To share her enjoyment of Mollie Hunter's books.
C. To introduce Mollie Hunter's work to a wider audience.
D. To provide information for Mollie Hunter's existing readers.

D
“Can I see my baby?” asked the happy new mother. The bundle (婴儿包) was placed in her arms and when she moved the fold of cloth to look upon his tiny face, she gasped—the baby had been born without ears. Time, however, proved that the baby’s hearing was perfect except his appearance.
One day when he rushed home from school and threw himself into his mother’s arms, he cried out bitterly, “A boy, a big boy … called me—a f-…freak.” She sighed, knowing that his life was to be endless of heartbreaks.
He grew up, handsome for his misfortune. A favorite with his fellow students, he might have been class president, but for that. He developed a gift for literature and music.
The boy’s father had a talk with the family doctor. Could nothing be done? “I believe we could graft(移植) on a pair of outer ears, if they could be donated (捐献),” the doctor decided. So the search began for a person who would make such a sacrifice for a young man. Two years went by. Then, “You’re going to the hospital, son. Mother and I have someone who will donate the ears you need. But it’s a secret.” said the father.
The operation was a brilliant success. His talents blossomed into genius. School and college became a series of successes. Later he married and entered the diplomatic(外交) service. “But I must know!” he urged his father. “Who gave so much for me? I could never do enough for him.”
“I do not believe you could,” said the father, “but the agreement was that you are not to know … not yet.” The years kept the secret, but the day did come … one of the darkest days that ever pass through a son. He stood with his father over his mother’s casket(棺材). Slowly and tenderly, the father stretched forth a hand and raised the thick, reddish-brown hair to let out the secret.
52.The story is mainly about _______.
A.how a boy had new ears through an operation
B.what a devoted parent privately did for the child
C.how a disabled boy turned into a useful person
D.why a donator made a sacrifice to a bright boy
53.From the first paragraph we know that the mother _______.
A.was determined to donate her ears to perfect her son
B.kept her husband unknown about the baby’s situation
C.felt shocked and disappointed to see her new baby
D.complained of her bad luck to have a disabled child
54.The underlined word “freak” in Paragraph 2 is the closest in meaning to “_______”.
A.slow-acting person
B.ugly-looking child
C.badly-behaved student
D.strangely-shaped creature
55.What can be inferred from the passage?
A.The agreement was between the donator and the family.
B.The boy was so popular that he was made class president.
C.Finally the boy came to know who the donator was.
D.The mother donated her ears to her son after she died.
56.What moral lesson can we draw from this reading?
A.Real love lies in what is done unknown rather than what is done known.
B.It is up to parents to help their children heart and soul.
C.True beauty lies only in the heart not in appearance.
D.It is a virtue(美德) for young generations to learn to be grateful.

C
From the earliest times,man has been interested in art.People have often worked together to collect and save the world's art treasures.
Fine art treasures from many countries are kept in an art museum called the Louvre(卢浮宫) in Paris,France.The works of art have been collected by the people of France over many centuries.
The Louvre has not always been a museum.The first building was a fort(炮台).In 1190,it was the king's castle with high walls and a round tower.It had a moat to keep out his enemies.
Over the years,the number of buildings around the castle grew.By 1350,the castle was no longer needed as a fort.The Louvre became a palace home for French kings and queens.
During times of peace,new treasures were brought in.During days of war,many treasures were stolen,and the buildings were damaged.
When Francis I became king of France in 1515,he brought in artists from many countries.One of the artists was Leonardo da Vinci from Italy.Da Vinci's"Mona Lisa"is the best known painting in the museum today.
In 1793,the Louvre became a public museum,just as it is now.It is a place where art treasures have been saved for everyone to enjoy.
48. On the whole,this passage is mainly about____.
 A . an art museum called the Louvre  B.an Italian artist named Leonardo da Vinci
 C.a king of France named Francis I  D.the best known painting in Louvre
49.Why is it good for great art to be kept in public museums?
 A.It helps people remember who the King of France is.
 B.It keeps people out of the palaces.
 C.It gives everyone a chance to enjoy good art.
 D.It helps people to know who is the greatest artist.
50.From the passage we know that _____.
 A.it is not possible for treasures to be stolen
 B.old forts always make the best museums
 C.great art should be shared with all the people
 D.king Francis I of France brought in artists from an old fort
51.In the third paragraph the word "moat "probably means_____.
 A.a high tower built in former times where soldiers watched out for enemies
 B.a long and deep ditch dug round a castle and was usually filled with water
 C.a cart pulled by horses on which soldiers fought
 D.a long and high wall around castle

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