Hans was an honest fellow with a funny round good-humored face. Living alone, every day he worked in his garden. In all the countryside there was no garden so lovely as his. All sorts of flowers grew there, blooming in their proper order as the months went by, one flower taking another flower’s place, so that there were always beautiful things to see, and pleasant odors to smell.
Hans had many friends, the most devoted being the Miller. So devoted was the rich Miller to Hans that he’d never go by his garden without plucking a large bunch of flowers or a handful of sweet herbs, or filling his pockets with fruits. The Miller used to talk about noble ideas, and Hans nodded and smiled, feeling proud of having such a friend.
The neighbors thought it strange that the rich Miller never gave Hans anything in return, though he had hundreds of sacks of flour, many cows and sheep, but Hans never troubled his head about these, and nothing gave him greater pleasure than to listen to all the wonderful things about the unselfishness of true friendship.
In spring, summer, and autumn Hans was very happy, but when winter came, and he had no fruit or flowers to sell, he suffered from cold and hunger. Though extremely lonely, the Miller never came to see him then.
“There’s no good in going to see Hans while the snow lasts.” The Miller said to his wife, “When people are in trouble they shouldn’t be bothered. So I’ll wait till the spring comes when he’s happy to give me flowers.”
“You’re certainly very thoughtful,” answered his wife, “It’s quite a treat to hear you talk about friendship.”
“Couldn’t we ask Hans up here?” said their son. “I’ll give him half my meal, and show him my white rabbits.”
“How silly you are!” cried the Miller. “I really don’t know what’s the use of sending you to school. If Hans came up here, and saw our warm fire, our good supper, and our red wine, he might get envious, and envy is a most terrible thing, and would spoil anybody’s nature. I am his best friend, and I’ll always watch over him, and see that he’s not led into any temptation. Besides, if Hans came here, he might ask me for some flour. Flour is one thing, and friendship is another, and they shouldn’t be confused. The words are spelt differently, and mean quite different things. Everybody can see that.” He looked seriously at his son, who felt so ashamed that he hung his head down, and grew quite scared, and began to cry into his tea.
Spring coming, the Miller went down to see Hans. Again he talked about friendship. “Hans, friendship never forgets. I’m afraid you don’t understand the poetry of life. See, how lovely your roses are!”
Hans said he wanted to sell them in the market to buy back his things which were sold during the hard time of the winter.
“I’ll give you many good things. I think being generous is the base of friendship.” said the Miller. “And now, as I’ll give you many good things, I’m sure you’d like to give me some flowers in return. Here’s the basket, and fill it quite full.”
Poor Hans was afraid to say anything. He ran and plucked all his pretty roses, and filled the Miller’s basket, imagining the many good things promised by the Miller.
The next day he heard the Miller calling: “Hans, would you mind carrying this sack of flour for me to market?”
“I’m sorry, but I am really very busy today.”
“Well,” said the Miller, “considering that I’m going to give you my things, it’s rather unfriendly of you to refuse. Upon my word, you mustn’t mind my speaking quite plainly to you.”
Poor Hans was driven by his friendship theory to work hard for his best friend, leaving his garden dry and wasted.
One evening Hans was sitting by fire when the Miller came.
“Hans,” cried the Miller, “My little boy has fallen off a ladder and hurt himself, and I’m going for the Doctor. But he lives so far away, and it’s such a bad windy night. It has just occurred to me that you can go instead of me. You know I’m going to give you my good things, so you should do something for me in return.”
“Certainly,” cried Hans. He struggled into the stormy night, and got the doctor to ride a horse to the Miller’s house in time to save the boy. However, Hans got lost in the darkness, and wandered off into a deep pool, drowned.
At Hans’ funeral, the Miller said, “I was his best friend. I should walk at the head of the procession.” Every now and then he wiped his eyes with a handkerchief. From the passage, we can learn that Hans ___________.
A.was extremely wise and noble |
B.was highly valued by the Miller |
C.admired the Miller very much |
D.had a strong desire for fortune |
“Flour is one thing, and friendship is another” can be understood as ___________.
A.“Different words may mean quite different things.” |
B.“Interest is permanent while friendship is flexible.” |
C.“I’m afraid you don’t understand the poetry of life.” |
D.“I think being generous is the base of friendship.” |
From the Miller’s talk at home, we can see he was ___________.
A.serious but kind |
B.helpful and generous |
C.caring but strict |
D.selfish and cold-hearted |
What’s the main cause of Hans’ tragedy?
A.True friendship between them. |
B.A lack of formal education. |
C.A sudden change of weather. |
D.Blind devotion to a friend. |
The author described the Miller’s behavior in order to ___________.
A.entertain the readers with an incredible joking tale |
B.show the friendship between Hans and the Miller |
C.warn the readers about the danger of a false friend |
D.persuade people to be as intelligent as the Miller |
How could we tell time if there were no watches or clocks anywhere in the world?
The sun was probably the world’s first “clock”, except in the far north, where the Eskimos(爱斯基摩人) live. There it’s dark most of the winter, and light most of the summer. But in most of the world, people have used the sun for a clock. Even today if you don’t have a clock that shows time, you still know that when the sun shines, it’s day; and when it’s dark, it’s night. The sun can not only tell you whether it’s day or night but also it’s morning, noon, or afternoon. When the sun is almost directly overhead, it’s noon.
People who live near the sea can tell time from the tides. In the daytime, for about six hours, the water rises higher and higher on the beach. And then it goes down and down for another six hours. The same thing happens again at night. There are two high tides and two low tides every 24 hours.
Seamen on a ship learn how to tell time by looking at the moon and the stars .The whole sky is their clock.
In some places in the world the wind comes up at about the same time every day or changes direction or stops blowing. In these places, the wind can be the clock.
A sand clock is an even better clock. If you had fine dry sand in a glass shaped like the one in the picture above, you would have what is called an hourglass. The sand in the hourglass goes from the top part to the bottom part in exactly one hour. When the hourglass it turned over, the sand will take another hour to go back again.The Eskimos in the far north can’t use the sun for a clock because ______.
A.they know very little about the sun |
B.the sun there never goes down in winter. |
C.it’s too cold for them to go out to watch the sun |
D.there are long dark winters and long light summers in the far north |
The underlined word “tides” in paragraph 3 means ___________.
A.ocean current |
B.storm |
C.a regular rise and fall of the sea |
D.wave |
In which part of the newspaper can you probably read this passage?
A.News | B.Science |
C.Business | D.Advertisement |
What’s the best title for the passage?
A.Different Ways to Tell Time |
B.Useful Machine to Tell Time |
C.The History of the Clock |
D.The Development of the Clock |
How many ways are mentioned in the passage to tell time?
A.Five | B.Four | C.Six | D.Three |
How long has 3-D technology been around? Most of us might think of crowds of teenagers in a 1950’s movie house watching Bwana Devil in 3-D. But 3-D technology made its first appearance on the scene in 1838 with the first stereoscope(体视镜). And the first actual 3-D movie was a 1903 film called Le Ariveed’un Train.
Although it has such a long history, the technology has still remained based on one simple principle-----to make 3-D effects you must find a way to project two slightly different pictures to each eye. Modern 3-D technology works by rapidly flickering(闪动) two versions of the movie and projecting them onto each eye. The brain does the rest of the work, combining the two pictures together into one and giving the show the appearance of depth, the third dimension.
But does this exposure, especially long exposures, cause harm to the child’s developing brain and visual system? Unfortunately, long-term studies on new flicker digital 3-D technology and children aren’t yet available. We do not know if regular or daily 3-D viewing over years affects the developing visual system, although older 3-D methods basically do the same thing and are not considered harmful.
The question of possible harm in modern 3-D use in TV is really based on two facts: the amount of time children will now be watching 3-D TV each day and the sensitivity some children show in reaction to 3-D viewing. It is difficult to make actual lab studies of longer term 3-D viewing in children because of the possible harm of the experiment. Researchers will have to wait until 3-D TV technology is already in the marketplace for a number of years, then check heavy 3-D TV watchers and compare them with non-watchers.
With a 3-D television technology in the home, we will soon be able to answer the question of whether or not longer and more frequent periods of 3-D exposure cause more changes in the visual system. We may find that the bigger problem is the introduction of a new technology that leads to even more time spent on TV rather than playing outdoors.
According to the text, 3-D technology ______
A.was refused by people when it first appeared. |
B.will soon change the way we watch TV. |
C.does no good to our visual system. |
D.has a history of nearly 200 years. |
Paragraph 2 is mainly about________
A.how 3-D technology works. |
B.why 3-D movies are popular |
C.the history of 3-D technology. |
D.the influence of 3-D technology. |
What’s the method suggested in paragraph 4?
A.To wait and see | B.To carry out lab studies |
C.To stop making 3-D movies | D.To improve 3-D technology |
The author’s purpose in writing the text is to _______
A.ask children not to watch 3-D movies |
B.discuss if 3-D viewing is harmful to children. |
C.introduce the advantages of 3-D technology. |
D.predict the development of 3-D technology. |
The nervous-looking young man had waited for a few moments outside the jeweler’s before he got enough courage to enter. He was warmly greeted by a young assistant. James felt a rush of blood to his face as he explained he would be bringing in his future wife to choose a birthday present.
The assistant listened carefully and told him he’d better buy a necklace. He wasn’t used to buying jewelry and was a little worried about overspending, because he was not very rich. After some discussion as to a reasonable price and the type, the assistant showed him dozens of necklaces and helped him to choose.
At last James chose one and left the shop promising to return at five o’clock. Half an hour later than planned, James did return to the shop with his future wife, Laura. The assistant acted as if she had never seen him before. When she was asked to show them some necklaces, she first brought out some inexpensive ones for them to choose, and then gave them the ones she had prepared. A choice was soon made and they went away satisfied. Later James would certainly come back to buy what he wanted when he got married.
The good title for this passage is “______”.
A.A Clever Assistant. | B.Buying a Birthday Present |
C.How to Choose a Necklace | D.A Brave Young Man |
The underlined word “overspending” in the passage means ______.
A.spending too much |
B.spending too much time |
C.spending more time than he planned |
D.spending too much money |
James and Laura reached the shop at _______.
A.4:30 | B.5:30 | C.5:00 | D.6:00 |
People fell in love with Elizabeth Taylor in 1944, when she starred in National Velve-the story of Velvet Brown, a young girl who wins first place in a famous horse race. At first, the producers of the movie told Taylor that she was too small to play the part of Velvet. However, they waited for her for a few months as she exercised and trained—and added three inches(英寸) to her height in four months! Her acting in National Velvet is still considered the best by a child actress.
Elizabeth Taylor was born in London in 1932. Her parents, both Americans, had moved there for business reasons. When World War II started, the Taylor moved to Beverly Hills, California, and there Elizabeth started acting in movies. After her success as a child star, Taylor had no trouble moving into adult(成人)roles and won twice for Best Actress: Butterfield 8(1960) and Who’s Afraid of Virginia Woolf ? (1966)
Taylor’ s fame(名声)and popularity gave her a lot of power with the movie industry, so she was able to demand very high pay for her movies. In 1963, she received $1 million for her part in Cleopatra—the highest pay received by any star up to that time.
Elizabeth Taylor is a legend (传奇人物) of our time. Like Velvet Brown in National Velvet, she has been lucky, she has beauty, fame and wealth. But she is also a hard worker. Taylor seldom acts in movies any more. Instead, she puts her time and efforts into her businesses, and into helping others —several years ago, she founded an organization that has raised more than $40 million for research and education.
The producers didn’t let Taylor play the part of Velvet at first because they thought she _____.
A.did not show much interest. | B.was too young. |
C.did not play well enough. | D.was small in size. |
What Elizabeth Taylor and Velvet Brown had in common was that they were both .
A.popular all their lives |
B.famous actresses |
C.successful when very young |
D.rich and kind-hearted |
Taylor became Best Actress at the age of .
A.12 | B.28 | C.31 | D.34 |
In her later life, Elizabeth Taylor devoted herself to .
A.doing business and helping others |
B.turning herself into a legend |
C.collecting money for the poor |
D.going about research and education work |
When I heard the piano, I walked to Mrs. Windsor’s house and waited outside as I always did. That meant she was working with another student, and I was not supposed to bother them by ringing the bell. I stood against the wall and daydreamed what I’d rather be doing. “Almost anything”, I sighed dejectedly. I had been tutored enough to read, understand, and even write some musical compositions, but I just didn’t have a gift for it. It didn’t come to me naturally. I thought back to happier times when I was writing stories and acting them out with my friends, cutting up old clothes to make dresses that performers wear in plays, and building scenery out of old things we found. But Mrs. Windsor had offered to give me the lessons for free, so I felt my duty to try.
The door opened and Wendy Barton came out. I walked in, sat down on the piano bench and began to sort through my sheet music.
“Hello,” I heard a voice behind me say softly. I turned around to see a little girl standing behind me, eating an apple. But before I could make any response, Mrs. Windsor walked into the room in her usual urgent manner and announced,“Jennifer, this is my niece, Pasha. Pasha, this is Jennifer. Pasha will be giving you your lesson today. I’m up to my ears in something else!” she then exited to the kitchen.
Pasha set her apple down on the side table and slid beside me on the piano bench.
“What piece do you like best?”she asked.
“What do you mean?” I asked. “They’re all the same to me. I don’t know.
“You mean you don’t have a favorite?”
“No, not really.”
Pasha looked at me, rather puzzled, then opened my sheet music to the beginning page and asked me to play. I arranged my fingers on the keys and studied the notes on the page for a moment. Then I frowned and concentrated to make the notes on the page match the finger movements. I have to admit I was a rather mechanical pianist.
After about a page or two, Pasha gently put her hand on top of mine as if to calm my fingers. There was a long pause. “What are you hearing in the music?” I looked at her rather strangely and admitted I didn’t know what she meant.
“Like a story. What story is being playing out within the music?”
“I guess I’ve never thought about it before. I don’t know.”
“Here, let me try and you listen,” Pasha advised.
She closed her eyes and took a deep breath, letting her fingers dance lightly over the keys. Then, she began to play. “See, it begins here beside some kind of river. Hear the water flowing beside you?”
Her fingers rose and fell gently on the keys.“Now the princess appears and she’s picking flowers from the water’s edge.”A carefree, happy piece of music filled the air in time to Pasha’s dancing fingers. “Oh, but she slips!”The music changed. “And our princess is being carried off by the fast-flowing stream. Quickly, the princess’s horse sees her plight (困境),” Pasha continued, and races to the river’s edge where he swims out to let her catch hold of him. They make it to the bank and she hugs her faithful horse and swears she will never again wear princess skirts that weigh her down. She will only wear jeans and T-shirt from now on.” Pasha finished with a big smile and then looked at me.
“Aren’t you the girl who tells the stories?” she asked.
“I guess. I do tell a lot of stories.”
“Oh, yes! All the kids talk about them. I’ve heard about you. Well, all you have to do is learn to hear the stories in the music. That’s all there is to it.”
“I’ve never thought it that way.”
“Let’s try another one, shall we?”Pasha smiled and together we played that afternoon, finding the stories in the music and learning that sometimes it takes a friend to pull you out of the river onto dry land again.The underlined word “dejectedly” in Paragraph 1 is closest in meaning to _______
A.nervously | B.desperately |
C.impatiently | D.unhappily |
Jennifer got lost in thought when she ________
A.played the piano with Pasha for the first time |
B.listened to Pasha tell her story about the princess |
C.remembered happier times of writing stories and acting them out |
D.discovered that Mrs. Windsor’s niece would be giving the piano lesson |
By describing herself as a mechanical pianist, the author showed ______
A.she could remember the notes in a short time |
B.she was playing the piano without thinking |
C.Pasha was showing off her skills |
D.it had been a long time since she played last time |
58. Which of the following can best describe Pasha?
A.Creative | B.Naughty |
C.Humorous | D.Brave |
Which of the following is the best title for the text?
A.Never Give up | B.A Piano Lesson |
C.Why I Hated Playing the Piano | D.A Friend for Ever |
This text would be probably found in ______
A.a collection of stories about friendship and learning |
B.a book of daily records about famous young musicians |
C.a magazine series about the challenges of overcoming fears |
D.a series of newspaper articles about musical instruments |