Recently I came in contact with the true meaning of love． That would have been, Kane, a boy． Kane was the two-year-old son of Jolene, my new neighbor．
At a glance Kane was a sight． He’d been born with hard sticks for legs． And on that morning I witnessed the effect that Kane’s physical shortcomings had on his family． But I also witnessed much more than that．
I saw an extraordinary family that embraced this special child． A family that wouldn’t allow Kane to know he was different． Jolene had constructed a small cart just a few inches off the floor for his son to get around． Using his hands to move about, Kane moved the cart to “go to” any place just as everyone else was able to do． Kane worked that little cart like a master． Kane was a vital focus of the entire family． He was more than just a member of the family; he was the soul． This child was the driver, the motivator, and the founder of much of the interaction．
Much later in my life, I came to realize that God had sent this child to help some of us who just weren’t getting what love was all about． Even with my limited capacity for understanding at the time that Kane was a highly developed spirit with great wisdom．
Kane demanded attention, but not because of his mobility challenges or other apparent shortcomings． In his mind, he had no challenges or shortcomings． The truth is that he received attention because he was alive and real and had so much to offer．
Kane was and still is a lot of warm and powerful energy sent to us all, so we might learn that love surpasses all things． Kane, a fragile yet lovely baby, was here to teach us all an important lesson． And at the age of two he did just that． How did the author think of Kane’s family members?
| A．They were strange because they locked Kane at home． |
| B．It was respectable for them to start their own business． |
| C．It was ridiculous for them to make a cart for Kane． |
| D．They were greatly brave to face all the difficulties． |
How did Kane “get to” everywhere he wanted to go?
| A．By moving his cart with his own hands． |
| B．By asking his father to lead him ahead with a stick． |
| C．By asking his grandparents to push hin everywhere． |
| D．His parents specially employed a babysitter for him． |
According to the author, God made Kane with disability to help _______．
| A．his parents get to know their responsibility |
| B．his family members know the importance of union |
| C．people especially the healthy realize what love really means |
| D．people especially the disabled realize their inner power |
Kane needed attention because he wanted to show ________．
| A．he can challenge his difficulty in moving |
| B．he had challenges or shortcomings in his life |
| C．he himself needed to be looked after by others |
| D．he had the power to prove he was capable too |
What can we learn from Kane’s story?
| A．Love me, love my dog． |
| B．Love is above all things． |
| C．Many hands make light work． |
| D．Pure gold fears no fire． |
第一节阅读下列短文，从每题所给的四个选项（A、B、C、D）中，选出最佳选项，并在答题卡上将该项涂黑。（共20小题；每小题2分，共40分）
The card above is_________
| A．a ticket | B．a postcard |
| C．an invitation | D．an advertisement |
The party is for_________
| A．a birthday |
| B．the Queen |
| C．bee watching |
| D．the National Day |
According to the card ,if you are unable to go ,you can.
| A．return the card |
| B．visit the Museum |
| C．ignore the message |
| D．contact Alice's mother |
Youth sport has the potential to accomplish three important objectives in children's development. First, sport programs can provide youth with opportunities to be physically active, which can lead to improved physical health. Second, youth sport programs have long been considered important to youth's psychosocial development, providing opportunities to learn important life skills such as cooperation, discipline, leadership, and self-control. Third, youth sport programs are critical for the learning of motor skills; these motor skills serve as a foundation for future national sport stars and recreational adult sport participants. When coachers develop activities for youth practices and when sport organizations design youth-sport programs, they must consider the implication of deliberate play and deliberate practice.
Research from Telama （2006） states that regular participation in deliberate play or deliberate practice activities during childhood and youth （ages nine to eighteen） increases the likelihood of participation in sports during adulthood by six times for both males and females. Côté （2002） defines deliberate play activities in sport as those designed to maximize enjoyment. These activities are regulated by flexible rules adapted from standardized sport rules and are set up by the children or by an involved adult. Children typically change rules to find a point where their game is similar to the actual sport but still allows for play at their level. For example, children may change soccer and basketball rules to suit their needs and environment （e.g. in the street. on a playing field or in someone's backyard）. When involved in deliberate play activities, children are less concerned with the outcome of their outcome of their behavior. （whether they win or lose） than with the behavior. （having fun）.
On the other hand, Ericsson （1993） suggests that the most effective learning occurs through involvement in highly structured activities defined as deliberate practice. Deliberate practice activities require effort, produce no immediate rewards, and are motivated by the goal of improving performance rather than the goal of enjoyment. When individuals are involved in deliberate play, they experiment with different combinations of behaviors, but not necessarily in the most effective way to improve performance. In contrast, when individuals are involved in deliberate practice, they exhibit behavior. focused on improving performance by the most effective means available. For example, the backhand skills in tennis could be learned and improved over time by playing matches or by creating fun practice situations. However, players could more effectively improve their backhand performance by practicing drills that might be considered less enjoyable. Although drills are used in most effective means available practice might not be the most enjoyable, they might be the most relevant to improving performance.
（Note: Answer the questions or complete the statements in NO MORE THAN TEN WORDS）
| 1． |
Besides the learning of motor skills, what are the other two important objectives of youth sport? |
| 2． |
If children participate in deliberate play or deliberate practice activities, they are more likely to |
| 3． |
In deliberate play activities, what do children do to maximize enjoyment? |
| 4． |
In contrast to deliberate play, deliberate practice is aimed at |
One of the executives gathered at the Aspen Institute for a day-long leadership workshop using the works of Shakespeare was discussing the role of Brutus in the death of Julius Caesar. “Brutus was not an honorable man,” he said. “He was a traitor（叛徒）. And he murdered someone in cold blood.” The agreement was that Brutus had acted with cruelty when other options were available to him. He made a bad decision, they said—at least as it was presented by Shakespeare—to take the lead in murdering Julius Caesar. And though one of the executives acknowledged that Brutus had the good of the republic in mind, Caesar was nevertheless his superior. “You have to endeavor,” the executives said, “our policy is to obey the chain of command.”
During the last few years, business executives and book writers looking for a new way to advise corporate America have been exploiting Shakespeare’s wisdom for profitable ends. None more so than husband and wife team Kenneth and Carol Adelman, well-known advisers to the White House, who started up a training company called “Movers and Shakespeares”. They are amateur Shakespeare scholars and Shakespeare lovers, and they have combined their passion and their high level contacts into a management training business. They conduct between 30 and 40 workshops annually, focusing on half a dozen different plays, mostly for corporations, but also for government agencies.
The workshops all take the same form, focusing on a single play as a kind of case study, and using individual scenes as specific lessons. In Julius Caesar , sly provocation（狡诈的挑唆） of Brutus to take up arms against the what was a basis for a discussion of methods of team building and grass roots organism.
Although neither of the Adelmans is academically trained in literature, the programmes, contain plenty of Shakespeare tradition and background. Their workshop on Henry V, for example, includes a helpful explanation of Henry’s winning strategy at the Battle of Agincourt. But they do come to the text with a few biases (偏向): their reading of Henry V minimizes his misuse of power. Instead, they emphasize the story of the youth who seizes opportunity and becomes a masterful leader. And at the workshop on Caesar, Mr. Adelmans had little good to say about Brutus, saying “the noblest Roman of them all” couldn’t make his mind up about things.
Many of the participants pointed to very specific elements in the play that they felt related Caesar’s pride, which led to his murder, and Brutus’s mistakes in leading the after the murder, they said, raise vital questions for anyone serving as a business when and how do you resist the boss?According to paragraph 1, what did all the executives think of Brutus?
| A．Cruel. | B．Superior. |
| C．Honorable. | D．Bade |
According to the passage, the Adelmans set up “Movers and Shakespeares” to ________.
| A．help executives to understand Shakespeare’s plays better |
| B．give advice on leadership by analyzing Shakespeare’s plays |
| C．provide case studies of Shakespeare’s plays in literature workshops |
| D．guide government agencies to follow the characters in Shakespeare’s plays. |
Why do the Adelmans conduct a workshop on Henry V?
| A．To highlight the importance of catching opportunities. |
| B．To encourage masterful leaders to plan strategies to win. |
| C．To illustrate the harm of prejudices in management. |
| D．To warn executives against power misuse. |
It can be inferred from the passage that ____.
| A．the Adelmans’ programme proves biased as the roles of characters are maximized. |
| B．executives feel bored with too many specific elements of Shakespeare’s plays. |
| C．the Adelmans will make more profits if they are professional scholars. |
| D．Shakespeare has played an important role in the management field. |
The best title for the passage is _____.
| A．Shakespeare’s plays: Executives reconsider corporate culture |
| B．Shakespeare’s plays: An essential key to business success |
| C．Shakespeare’s plays: a lesson for business motivation |
| D．Shakespeare’s plays: Dramatic training brings dramatic results |
 |
 The Curse of the Were-Rabbit(2005) is the first full-length feature film made by directors Nick Park and Steve Box with their amazing plasticine(粘土) characters Wallace and Gromit. It won an Oscar in 2006, and if you watch it, you'll understand why. It's an absolutely brilliant cartoon comedy. |
| Cheese-loving inventor Wallace and his brainy dog Gromit have started a company to protect the town's vegetables from hungry rabbits. However, just before the annual Giant Vegetable Competition, an enormous rabbit begins terrorising the town. It is attacking all the vegetables and destroying everything in its path. The competition organizer, Lady Tottington, hires Wallace and Gromit to catch the monster alive. But they will have to find the were-rabbit before gun-crazy hunter Victor Quartermaine who is desperate to kill it. |
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| The screenplay is witty and full of amusing visual jokes. As usual, the voice of Peter Sallis is absolutely perfect for the role of Wallace, and Gromit is so beautifully brought to life, he can express a huge range of emotions without saying a word. And both Helena Bonham-Carter, who plays the part of Lady Tottington, and Ralph Fiennes as Victor are really funny. |
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| To sum up, The Curse of the Were-Rabbit is an amazing film which is suitable for both children and adults. If you liked Wallace and Gromit's previous adventures and you appreciate the British sense of humour, you'll love this film. Don't miss it! |
| 1． |
In the film review, what is paragraph A mainly about?
|
| 2． |
According to the film review, "monster" （paragraph B） refers to.
|
| 3． |
Which of the following is a reason why the writer recommends the film?
|
Look to many of history’s cultural symbols, and there you’ll find an ancestor of Frosty, the snowman in the movie Frozen. It appeared on some of the first postcards, starred in some of the earliest silent movies, and was the subject of a couple of the earliest photos, dating all the way back to the 1800s. I discovered even more about one of humanity’s earliest forms of life art during several years of research around the world.
For example, snowmen were a phenomenon in the Middle Ages, built with great skill and thought. At a time of limited means of expression, snow was like free art supplies dropped from the sky. It was a popular activity for couples to leisurely walk through town to view the temporary works of chilly art. Some were created by famous artists, including a 19-year-old Michelangelo, who in 1494 was appointed by the ruler of Florence, Italy, to build a snowman in his mansion’s courtyard.
The Miracle of 1511 took place during six freezing works called the Winter of Death. The city of Brussels was covered in snowmen—an impressive scene that told stories on every street corner. Some were political in nature, criticizing the church and government. Some were a reflection of people’s imagination. For the people of Brussels, this was a defining moment of defining freedom. At least until spring arrived, by which time they were dealing with damaging floods.
If you fear the heyday of the snowman has passed, don’t worry: I’ve learned that some explosive snowman history is still being made today. Every year since 1818, the people of Zurich, Switzerland, celebrate the beginning of spring by blowing up a snowman. On the third Monday of April, the holiday Sechselauten is kicked off when a cotton snowman called the Boogg is stuffed with explosive and paraded through town by bakers and other tradesmen who throw bread to the crowds. The parade ends with the Boogg being placed on a 40-foot pile of firewood. After the bells of the Church of St. Peter have rung six times, representing the passing of winter, the pile is lit. When the snowman explodes, winter is considered officially over—the quicker it is burnt down, the longer summer is said to be.According to the passage, why did snowmen become a phenomenon in the Middle Ages?
| A．People thought of snow as holy art supplies. |
| B．People longed to see masterpieces of snow. |
| C．Building snowmen was a way for people to express themselves. |
| D．Building snowmen helped people develop their skill and thought. |
“The heyday of the snowman” （paragraph 4） means the time when___________.
| A．snowmen were made mainly by artists |
| B．snowmen enjoyed great popularity |
| C．snowmen were politically criticized |
| D．snowmen caused damaging floods |
In Zurich, the blowing up of the Boogg symbolizes__________________.
| A．the start of the parade |
| B．the coming of a longer summer |
| C．the passing of the winter |
| D．the success of tradesmen |
What can be concluded about snowmen from the passage?
| A．They were appreciated in history |
| B．They have lost their value |
| C．They were related to movies |
| D．They vary in shape and size |