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For 23 years, Barbara Bentree had been making Los Angeles her home, thriving on the bustle of city life.
She said, “As a singer who studied music education in college, I moved to California in my early 20s with stars in my eyes.” She found work — teaching in private schools, and in her spare time she performed in one-woman shows, sang for various studio recordings and even appeared as a singer in several episodes of TV shows, including Ally McBeal, Days of Our Lives and Wings. Through teaching, she began to make connections with people in the production world and was soon being referred to work with children in the entertainment industry.
“I was young and single and really excited about being in a big city,” Bentree said about those early years in Los Angeles. “To participate in movies and television was very, very exciting.”
Eventually, Bentree was recruited to work on The Mickey Mouse Club TV show as a music producer, helping to train Mouseketeers, including famous alumnae Christina Aguilera and Britney Spears. She worked in various production and music director roles for big networks like Disney, and eventually met and fell in love with her husband, John Rangel, a pianist and composer, who moved to Los Angeles from Florida in the early 1990s to be closer to her. They married two years ago, after decades together.
The couple lived along the city’s striking coastline, in beachfront areas such as Pacific Palisades and Malibu. “They were wonderful and beautiful,” Bentree said, “but very expensive.” To keep up with the cost of their rented apartment, Bentree worked on several projects that were lucrative but not artistically satisfying.
At one point she looked at her life and realized she was spending 10 hours a week in the car, commuting (通勤) back and forth to work on a particular project.
“It was a little crazy, and there was a lot of running around,” Bentree said. “When I turned 50, I started to have the feeling that Los Angeles is not the place for me to grow old. The things that were important to me when I was young — all that excitement, the sense of accomplishment and ambition — have changed,” she continued. “Now, what I find interesting is time, and being close to nature and my community. I am less interested in feeling like I’m living in the center of the universe.”
Around 2004, the couple decided not to renew the lease on their apartment. Towards the end of the year, Bentree visited a friend who had a guest house in Santa Fe, New Mexico, and after two weeks, she told her husband she knew she was not going back to Los Angeles. In 2005, she made the move to Santa Fe permanently. It took a bit longer for Rangel to come round to the idea, commuting back and forth to Los Angeles weekly via two-hour-long plane rides for the first year, but eventually, he settled in as well.
As it happened, leaving the center of the entertainment world was the spark the couple needed to really get in touch with their own creativity.
The couple bought a home together there, which, according to Bentree, cost her probably twice as much as in Los Angeles, and began saving on major expenses, including car insurance and taxes. The lower cost of living also allowed Bentree to fundamentally restructure her days. Now she generally teaches two days a week and spends the remaining five working on creative pursuits, including a screenplay, a book of poetry and children’s books. “There is something comforting about being a medium or small fish in a relatively small pond as opposed to a microscopic fish in a huge pond,” she said.
Perhaps the biggest change for Bentree has been the connection to nature she feels day in and day out in her new home. Nature, according to her, is her “healing place”, her “inspiration place” and her “church”. Though the landscape around Los Angeles is lovely, in her current home she can be up in the mountains, walking through a forest by a stream, within five minutes. She recently released a new nature-inspired CD, Green, which explores various environmental issues, and is donating 100 percent of the profits to support the related causes.
“I used to say I was a ‘jazz artist’ but now I say I’m a ‘jazz activist’,” Bentree said. “I’m using music to promote my political causes and points of view.”
At no point, however, has Bentree regretted waiting so long to leave Los Angeles and her past life. Her wants and needs have changed gradually over time.
“I loved every part of living in Los Angeles for the first 10 years. The next five years were great, too. It was really only during the last few years that I started to consider leaving,” she said. “Now, I’m in a new chapter. It was scary to make that big change, but life is an adventure.”
What can we conclude from Paragraph 2?

A.Bentree disliked teaching in the schools.
B.Bentree did a lot to pursue her dreams.
C.Bentree found it hard to live in the new city.
D.Bentree intended to contact famous people.

When Bentree met her husband for the first time,     .

A.she was the director of The Mickey Mouse Club
B.he had lived in Los Angeles for so many years
C.she was seeking a job in the music industry
D.he worked somewhere far away from Los Angeles

What does the underlined word “lucrative” in Paragraph 5 mean?

A.Profitable. B.Voluntary.
C.Terrible. D.Legal.

Which of the following is typical of Bentree’s life in Los Angeles?

A.Living a comfortable life full of free time and artistic creativity.
B.Most of the time being on the way to hunt for a new teaching job.
C.Leading a very costly life lacking in artistical satisfaction.
D.Always being ready to move from one apartment to another.

By the underlined part, Bentree means     .

A.a small pond is the equal of a big one as far as comfort is concerned
B.she actually prefers living in a relatively big city as an ordinary person
C.a relatively small pond is a good place for a fish to live comfortably
D.she prefers to live in a relatively small city rather than in a big one

How does Bentree feel about living in the new home?

A.She feels busy and exhausted.
B.It is colorful and meaningful.
C.She feels relaxed but lonely.
D.It is hopeful but stressful.
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